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Intraracial Division and Black History Page 2
by Roger Smith
In a society whose ideal beauty is someone with blonde hair and blue eyes, it is not to hard to figure out why many
black people, especially women, spend their lifetime denying their own physical characteristics and embracing the
characteristics of white society. Embracing whiteness is a common practice among black women, and in some cases
black men, although many will state that their purpose is not to look white but to become more beautiful.
However, it is reported that in the United States countless black girls fantasize about being white.
Maya Angelou in her autobiography
I Know Why the Caged
Bird Sings talks about her own desire to be white when she states, " Wouldn't they be suprised when one day
I woke out of my black ugly dream, and my real hair, which is long and blond, would take the place of the kinky
mass that momma wouldn't let me straighten?... Because I was really white and because a cruel fairy stepmother,
who was understandably jealous of my beauty, had turned me into a too-big Negro girl, with nappy black hair,
broad feet and a space between her teeth that would hold a number-two pencil." Even psychiatrists William Grier
and Price Cobbs, authors of
Black Rage, state that every black girl experiences some degree of shame about her appearance.
This is in part due to painful hair-combing rituals that try to make them look, if not more "white", then at
least more presentable. And as they grow older, they begin to use special products designed to straighten and
manage kinky, unruly hair and to use bleach to lighten their dark skin. Not only does hair texture identify
a person as being black, but so does eye color and the shape of the nose. To offset this, black people have turned
to contact lenses and cosmetic surgery to give them the appearance they want. Since the invention of tinted contact
lenses, there have been whites as well as blacks, and men as well as women, who have opted to lighten their eye color.
In the black community, most print and television ads do not talk about correcting the wearer's vision but instead
they promise to improve eye color. The message that comes across to black people is simple; brown eyes are unacceptable
and blue and green eyes are better. To alter the shape of the nose, all a black person needs to do is have money.
For a few thousand dollars, an undesireable nose can be surgically reshaped into a narrower one which has just the
right upward tilt. However, because surgery is expensive, many black women choose to use makeup techniques that hope
to concieve a broad nose. The application of darker shades along the bottom and sides of the nose and lighter tones
along the top are supposed to "do the trick." Unfortunately, if it is overdone the person may be in for some ridicule
and criticism. Some black women have even gone to the extreme by sleeping with a clothespin clipped over their nose.
Needless to say, the only thing that resulted in that was a sore nose. Hair texture, eye color, nose size, and skin
color are all features that black people can modify if they want to and are able to pay. The book "Color Complex"
states:
Throughout American history degrees of skin coloring and kinkiness of hair have had the power to shape the quality
of Black people's lives. Thus it is no suprise that a heightened sensitivity has developed around issues of appearance.
On the surface Whites and Blacks might each seem to imitate the other's looks, but the political dimensions of their
actions - based on the gap in power between the two groups - are very different. When a thin-lipped White actress gets
a collagen injection to give her a more sensual Negroid-looking mouth, or when a White rock musician wears dreadlocks
for a more "streetwise" appearance , it is simply not the same as when a Black woman straightens her hair or goes to
great lengths to avoid prolonged sunlight. Whites can dabble in practices that make them appear more Black, but for
many [Black] Americans embracing whiteness is a matter of economic, social, or political survival.
© Copyright
2004 by Roger Smith; All Rights Reserved
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